A modern san serif typeface with a pure clean line form. The idea has been to design a font with a proportioned and balanced structure that is applicable to a wide variety of uses. Details include 8 weights with italics, 500 characters, Cyrillic lettering, 5 variations of numerals, manually edited kerning and Opentype features. Font […]
editorial
Ridley Grotesk
Ridley Grotesk is a modern sans-serif. It comes in nine weights with matching italics, designed with powerful opentype features in mind. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design. Big thanks to Radomir Tinkov for providing us with this awesome freebie. If […]
Syntesia
Syntesia Free is a typeface which combines classic and modern attributes that create a humanistic antiqua font. This font will work great on any editorial design. Although, it looks fine as logo and branding as well! So, if you like his work, you may want to check out on his portfolio. Then, you can find […]
Averta
Averta is intended for use in a variety of media. The central styles (Light through Bold) are drawn to perform at text sizes, while the extremes are spaced tighter to form more coherent headlines. Averta Free Demo that include Regular and Extra Bold Italic weight are available for free download. For more complete set of characters […]
Zin Sans
Zin Sans is a contemporary sans-serif typeface designed for various situations of typographic usage. Characteristic feature is a large x-height and balance between neutral construction of letters (strictly vertical axis) and dynamic open forms (opened terminals). Another typical feature is a visually narrower connection between stems and strokes. The complete font family consist of three […]
Voga
Meet Voga Font Family Free Demo! Voga is a condensed modern Didone typeface with three weights: Regular, medium and bold. Today you can have the medium one for free! The aim of this typeface is to create a very elegant and “sexy” typeface with some unique letterforms. With the principle of contrast – curves vs. […]